​

“You See the Woman” draws the audience into a controlled distance to observe "the woman," where vulnerability is unveiled, externalized, and repeated in raw, honest, but also partially concealed forms. It invites their understanding but also rejects a complete one.

The channels are projected separately onto two screens, facing each other at a distance. The locations of the screens allow the viewers to experience only part of the story but not the whole at the same time. The process mirrors how recurringly we attempt to understand one and the other but almost always fail to a certain extent.